Joe Wright’s “Rear Window”-style psychological thriller about the mental collapse of an agoraphobic, alcoholic psychologist has already endured a push back after Disney purchased 20th Century Fox Studios. Adapted from author AJ Finn’s 2018 potboiler, it was originally slated for an October 2019 awards season release, then moved to May 15 of this year, and has yet to have it’s release rescheduled as its fate — like so many movies right now — remains unknown. But a Cannes slot could give this hotly awaited film a chance to rise from the ashes. Co-starring Amy Adams and Julianne Moore this film would have definitely cultivated a glamorous premiere at this years Cannes Film Festival. 2010’s On The Road was the first and only film that Amy Adams has stared in that has screened in Cannes and she didn’t even make the trip to the French Riviera to promote the film. I would have LOVED to see Amy bring her signature glam to Cannes this year to promote The Woman in the Window. I picked two super glamorous and elegant moments for Amy starting with this dark blue Oscar de la Renta draped cap sleeve wool blend midi dress which feature a faux wrap style skirt and a thigh high split. While some would work that full split to its potential I think that is much more of a classy woman and would just let the flesh pop naturally. I think that this dress minus the oxblood leather belt it was styled wit on the runway styled with a sleek center parted hairstyle tucked behind the ears, defined eyes, rose pink lips, and a pair of black and red Gianvito Rossi ‘Caterina’ pointed toe bow detail slingback pumps this look would ooze ladylike sophistication. For the premiere I went for big drama with this stone grey archive Elie Saab Spring 2009 Couture ball gown which features a sheer 3-D floral embroidered sleeveless bodice and a high waisted tiered crinkled silk skirt with a dramatic train. This gown has always been in the back of my mind. I’ve never used this gown in a wish before. I’ve been waiting for the right person at the right event to bring this gown out of the archive and Amy in Cannes is definitely the right pair to finally give this gown the red carpet moment it deserves. Amy has worn this color in the past and can get washed out easily wearing it, so the styling has to be PERFECT. To make sure this look just oozed major glam on the red carpet I would love to see Amy style this gown with a sleek retro updo, smokey eyes lined in emerald green, bold red lips, a pair of zinc grey Casadei ‘Blade Modern Love’ pointed toe ankle strap d’Orsay pumps, and a selection of Cartier High Jewelry including modern white diamond, enamel, and cabochon emerald fringe drop earrings and a vintage art deco white diamond and cabochon emerald bracelet.Julianne Moore has screened many films in Cannes and has won the festivals Best Actress award so seeing a film with her amongst the cast screening at the festival. So I started searching for two super moments for Julianne to wear while promoting The Woman in the Window in addition to the two couture moments I picked for her to wear as a L’Orealista from vintage Yves St. Laurent and Givenchy by Clare Waight Keller. For this films photocall I wanted to see Julianne turn to one of her favorite casual brands with this forest green Chloe Fall 2020 RTW cotton jersey midi dress which features long poet sleeves, lace details, a jewel neckline, drop waist, and a pleated skirt. Julianne in any shade of green is always something I am down for and I think that while this is definitely more of a winter color that Julianne would have made it feel light and bohemian for a photocall overlooking the French Riviera. I would do so by styling this look with loose waves, defined eyes, soft pink lips, and a pair of two tone brown Aquazzura ‘Cozumel Plateau’ strappy platform ankle strap sandals. Now for the premiere I hadn’t realized until I started writing this blog post that I had picked an archive runway look for Julianne in addition to Amy. This red chiffon Chanel Spring 1985 RTW draped gown which features a halter neck that turns into a dramatic train and a flowing a-line skirt is the second vintage moment I wanted to see Julianne bring to life in Cannes. I think that this moment would have been absolutely glamorous. Chiffon gowns in Cannes can bring magical moments if the fabric catches the sea breeze on the outdoor red carpet and knowing how Julianne handled that on the red carpet in Venice I know that she would have made this a super glam moment. Styled with a sleek updo, defined smokey eyes, rose pink lips, lipstick red satin Aquazzura ‘Deneuve’ bow detailed ankle strap sandals, and a pair of dazzling three row Chopard Red Carpet Collection 2019 fringe chandelier earrings I know that Julianne would have delivered nothing but glamour on this red carpet. I have several wishes for Cannes regulars today starting with L’Orealista Andie MacDowell. Sometimes Andie delivers WOW moments and sometimes she delivers beautiful but standard looks and sometimes she tries taking a risk and it just doesn’t work. My first wish for Andie was a super sleek statement red Valentino sequined column gown. That would most likely have landed in the WOW category. Today’s wish is much more within the beautiful but standard area. I LOVE this glamorous black silk Carolina Herrera Fall 2020 RTW strapless pailette embellished trumpet gown and I think that it is definitely something that Andie would be drawn to. I was looking and we have really only seen Carolina Herrera on the red carpet in Cannes three times before. Usually we see stars opt for European or couture labels for Cannes, but this super glam gown definitely would have spoken to the elegance that Cannes requires. I think that had Andie worn this gown with old Hollywood waves worn over one shoulder, defined eyes, red lips, a black crystal embellished Judith Leiber Couture ‘Slim Rectangle’ clutch, black Aquazzura ‘Forever’ cut out detailed pointed toe pumps, and a selection of Messika High Jewelry including white diamond ‘Firebird’ intricate cluster earrings, a super chic white diamond ‘Desert Bloom’ riviere necklace, and a white diamond peacock like ‘Desert Bloom’ cocktail ring that she would definitely have had a super glam moment on her hands. Bruna Marquezine is a friend of Chopard so I was definitely hoping to see her bring the glam to the Cannes Film Festival red carpet this year. I wanted to see her wearing a custom version of this sea glass blue Alberta Ferretti Limited Edition Fall 2019 Couture ruffled gown which features a plunging neckline removing the sheer yoke, intricate beading, and a mermaid silhouette lengthening the hem to have a dramatic train. This gown with those modifications could definitely make for a perfect Cannes Film Festival gown and I think that Bruna would have been able sell this moment to me with ease. A loose romantic updo, soft smokey eyes, bright pink lips, a pair of silver crystal embellished Rene Caovilla ‘Ellabrita’ ankle strap sandals, and statement Chopard Red Carpet Collection white diamond and paraiba tourmaline pendent drop earrings would have definitely make this look seaside glam from head to toe. Thai actress Praya Lundberg knows how to bring the sexy and the drama to the Cannes Film Festival red carpet. Over the years she has typically chosen one column gown and one ballgown. In my What Could Have Been wishes I went for two major ballgowns. The first was super glam from Rami Kadi, so for the second look I wanted to infuse some sex appeal into the look. So I picked this black Georges Chakra Fall 2019 Couture asymmetrical one shoulder gown which features a cold shoulder, chest cutout, a sheer beaded column skirt, and a dramatic ruffled bustle train. It would be that dark, sexy glamour moment and I knew that it would have easily been something that Praya would have been drawn to. So to finish this look I would have loved seeing Praya style this gown with a sleek updo, defined eyes, bold red lips, black leather Christian Louboutin ‘Very Cathy’ ankle strap peep toe d’orsay platform sandals, and a pair of dazzling asymmetrical white and black diamond de Grisogono waterfall pendant drop earrings. Originally I was going to pick a more traditional Indian look for my second wish for the gorgeous Sonam Kapoor, but instead I went for dramatic glamour. I have wanted to see this midnight blue shiny Georges Hobeika Fall 2014 Couture gown which features a sweetheart neckline, fitted silhouette, and a dramatic bustle train on a red carpet since it was first presented six years ago. At the time I really wanted to see Eva Longoria wear this gown, but now I feel like Sonam is the perfect person to pull this gown out of the Hobeika archives. The gown itself isn’t beaded or dazzling on its face it has gravitas. I know that with a sleek updo, navy smokey eyes, soft rose pink lips, a pair of midnight blue iridescent crystal embellished Rene Caovilla ‘Celebrita’ platform ankle strap sandals, and a punch of sparkle via a white diamond and sapphire starburst Chopard Red Carpet Collection 2019 collar necklace would have definitely ensured this moment was nothing but dramatic glamour defined.